Designed by Marc Krusin
Marc Krusin 2009
Drawing inspiration from traditional designs, but asserting itself with an industrialized craft aesthetic, Krusin Side and End Tables complement the Krusin lounge and side chairs. Like the chairs, the tables leave no joint unresolved and no angle unconsidered, resulting in a subtle elegance that harmonizes with any setting. The base, available in a broad array of natural woods, with low-sheen and polished finishes, can be paired with a matching wood top or clear glass, leather or a variety of stones.
Additional Info
Construction and Details
- Tabletop available in glass, marble, laminate, wood veneer, Spinneybeck® leather and engineered stone
- Veneer and laminate tops are constructed with MDF core with solid lumber edges
- Leather tops are constructed with MDF core wrapped in select Riva leather
- Marble and glass tops are 3/4" thick with radius corners. Tops rest within the frame
- Inset tops have threaded inserts to attach to frame
- Frame is select American and European hardwood using dowel and mortise + tenon construction
- 7 low gloss natural wood finishes in White Ash, Oak, and American Walnut with low-sheen urethanecoating with conversion varnish top coat and a hand applied final wax coating
- 12 beech frame stains with catalyzed lacquer protective coating and a hand applied final wax coating
- Felt glides included with all bases
Marc Krusin: "The tables were part of the same development as the chairs. The chairs really inspired them in a way, inspired the detailing within that cube. The main structure is all being made in the USA, by a great bunch of guys who were so flexible throughout the whole design process - so fast and extremely talented. They were always available to make all the petty modifications that, between myself and Bejamin Pardo, the Design Direction, were thrown at them.
"Personally I would always try to strive for something that is clean, that is visually silent, to study and rework, and tweak the proportions and the details to such a refined level that it becomes as perfect as it can be within that framework.
"I see it as being a design that can fit into a lot of scenarios. To me, there is something very noble about an object that sits within a space not shouting for your attention, but blending into it. The outcome is absolutely contemporary, but at the same time absolutely classic and absolutely timeless.
Last Updated 7 months
